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Posts Tagged ‘writers advice’

Claire Davon bio photo Whimsical Words welcomes guest author, Claire Davon. Claire Davon has written on and off for most of her life, starting with fan fiction when she was very young. She writes across a wide range of genres, and does not consider any of it off limits. If a story calls to her, she will write it. She currently lives in Los Angeles and spends her free time writing novels and short stories, as well as doing animal rescue and enjoying the sunshine.

Claire Davon’s latest book, Water Fall, is a novel fantasy fans are sure to enjoy. A quick summary for my readers—Lara thought she had time to ease into her role as water Elemental, guardian and defender of the sea and all its creatures. Time to learn the skills to rise to the next Challenge, many decades away. Then she felt the shift. When Sullivan intrudes upon her oceanside sanctuary, stirring memories of the blazing night he bound her to him, body and soul, the shark king confirms her suspicions. A new Challenge is upon them. And Sullivan, the prime suspect in her predecessor’s death, demands her trust.

Sullivan remembers the carnage—human and paranormal—the last time the Elementals failed to win Challenge. It must not happen again. But in the six years since he reluctantly left Lara’s side, she hasn’t learned nearly enough to defeat a rapidly rising enemy. A gargantuan Demonos that makes him look like a minnow. Shifters don’t normally aid Elementals, but Sullivan made a deal with the gods to teach her to fight. Now if he could only convince his wayward body to put aside the searing memory of her touch. Because distraction now could spell disaster to them all.

Where did the idea come from for your latest book, Water Fall?

WaterFall_Digital_Large claire Water Fall is the third book in a five-book series called Elementals’ Challenge. Each one centers around an Elemental, who is an immortal being with powers related to their element. In this one the water Elemental, Ondine, is new to the Elementals and has to find her core strength in order to fight her enemy. I loved writing about a new Elemental, one who was human not so long ago and who had to figure out her new station while facing a great threat to the world, and to herself.

Who is your favorite character in the book—and why?

As much as I love Ondine (the Elemental) I think my favorite character in this book is her love interest, the shark shifter/demi-god Sullivan. He is a both a strong character with a core of steel but also a romantic who has wanted this woman for eight years. He does what needs to be done.

Is your book traditionally published, indie published, or self published?

This one is self-published. The series started out at a publisher (Samhain,) but they closed two weeks from releasing the second book. At that time, I opted to self-publish the remainder of the series (a total of five books) for many reasons, but the primary one is control over the subject matter and the covers. I love my covers. This series and the covers are interwoven to me.

What is your writing process like—are you an architect (planner) or gardener (pantser)?

I am a total pantser. I think about reforming and becoming a plotter, but it never works out for me. My books ebb and flow and take unexpected turns. I usually start a story by simply starting, with a general idea of what I want to write about, but no real idea of how I am going to get there. Maybe someday, I’ll plan…but I’m not holding my breath

What was your favorite book as a child?

If by child, you could say a twelve/thirteen-year-old, then hands down my favorite book was Dragonflight by Anne McCaffrey. My parents had tons of books laying around, and I picked this one up and my world changed. It was not only my introduction into SF/fantasy, but also an introduction into my own fantasy life. For years, I wanted to be a dragonrider and would invent elaborate stories around the world and dragons. I think my interest in SF/fantasy started the day I picked that book up, and it has never waned.

What writing project are you currently working on?

I just sold the second book in the Universe Chronicles series to Soul Mate Publishing. In addition, I am working on edits for the fourth book in the Elementals’ Challenge series, as well as writing a paranormal romance that is going to be in a box set the middle of next year. I’ve usually got a short story or two in the pipeline, but at the moment my focus is on the novels.

What’s the best writing advice anyone ever gave you?

There are two pieces of advice that stick with me. The first is to write every day, and I do that. The second is to write a story, send it out, and start working on a new one. Both pieces of advice have served me well. I may not always like what I put down on paper every day, but it gives me a framework to go off of. You can’t edit what doesn’t exist.

Want to learn more about Claire Davon and Water Fall? Check out her: Website, Facebook page, Twitter, Pinterest, and Amazon Authors Page.

Or better yet, purchase a copy of Water Fall.

Thanks to author Claire Davon for stopping by. Watch for an interview with author Suzanne Reynolds-Alpert on February 7, 2019. Happy reading! – Vonnie

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Eddie Louise Final-square med-res Whimsical Words welcomes guest author, Eddie Louise. Eddie Louise has had a lot of experience writing. As a child, she composed nonsense songs to keep herself company herding cattle across the lonely Wyoming plains. Discovering the theater led her to write melodramatic plays full of artful alliterations, which in turn led to composing the book for a musical on the beaches of Monterey. She ran away from home to live in Edinburgh, Scotland, where she explored her passion for writing novels. Having landed back in California she is writer of the hit Audio Drama Podcast, The Tale of Sage & Savant and the novel TransMIGRATIONS, The Tales of Sage & Savant Book One, published by Edge Science Fiction and Fantasy Publishing.

2018-03-26-TransMIGRATIONS_Cover-DRAFT Eddie Louise’s latest book, TransMIGRATIONS is a novel steampunk fans are sure to enjoy. A quick summary for my readers—Telesensation agent Justin Bremer studies time—specifically the effects of journeying through it. His assignment, funded by a mysterious organization, ‘Les Charges de L’Affaires,’ is to observe the timeline of a young Victorian scientist who lived approximately 2000 years in the past.

Equipped with an AI neural-interface, Bremer carefully documents the experiments of Dr. Petronella Sage and her archaeologist friend Erasmus Savant. The Doctor, while investigating the effects of electricity on human flesh, becomes obsessed by the curious and vivid shared hallucinations induced after she and Savant are accidentally electrocuted.

Each fantastical adventure (which they call a ‘transmigration’) takes the intrepid duo into the unimaginable lives of persons and places throughout history. Justin Bremer observes and dutifully records it all.

Where did the idea come from for your latest book, TransMIGRATIONS?

It is terribly clichéd to admit this but the idea came from a dream. I am a very visceral dreamer and often my dreams play out with cinematic clarity. I also have serial dreams where a story will continue over many nights. This is a talent that is very helpful in writing stories! Unfortunately, sometimes I get ‘stuck’ where the same dream or snippet of a dream plays over and over, night after night. Sage and Savant came from just such a dream. Every night for about two weeks I dreamed the same fragment: I was a female scientist in the Victorian age (corset, long skirts, lots of hair) and I had been given a VERY limited time in the Galvanistic laboratory to prove my thesis to the male supervisors of my program. I would set up a bank of very complicated electrical equipment and then electrocute myself. That was it—each and every night I electrocuted myself which would shock me awake and my first thought would be, ‘It worked!’ Eventually I decided I had to write about this scientist and figure out why anyone would do such a thing and think of it as a victory.

VarnerPhotography-6550 Who is your favorite character in the book—and why?

Doctor Petronella Sage. She is clever, complicated, and conceited. She has never met a problem she couldn’t solve through sheer obstinacy. She loves passionately, yet denies herself the expression of that love because it would end her career. She is a mad scientist whose motto is ‘Death is no barrier to science!’and I love her!

Is your book traditionally published, indie published, or self published?

I am traditionally published with Edge Science Fiction and Fantasy Publishing out of Canada. Edge is the Canadian equivalent of Tor. The chief advantage of the traditional route is that you have a whole team helping your book into the world. The cover art Edge secured for me is amazing and all four books will be consistent and visually stunning. The typesetting on the inside of the book helped deal with some really gnarly problems I had created. (Namely conversations that take place via neural implant and ALSO out loud in the same dialog section—my publisher figured out how to indicate out-loud speech separate from thoughts, separate from in-head conversations without breaking the flow of the scene—they are geniuses!) The disadvantages—well of course you are not in control of timelines or price points. In truth, I plan on becoming a Hybrid author with some self published titles alongside my traditional titles.

What is your writing process like—are you an architect (planner) or gardener (pantser)?

I love the choice. I would say I’m an architectural gardener. I like to lay out a basic plot line (I call it my Tentpoles) but then free write everything else. For me some remarkable things happen when I do this. For example, I am currently writing Book Two, TransANIMATIONS and I had to deal with a plot hole I had created in the 3rd episode of Season Two of the podcast. EXCEPT it turned out it wasn’t a plot hole—it was foreshadowing for something that we find out about in Season Three. I had no idea of this when I wrote the original story, but my subconscious had it all worked out and let me know about it when the time was right.

What was your favorite book as a child?

I grew up on a 20,000 acre cattle ranch in the middle of Wyoming. I had never seen a body of water larger than a reservoir and a creek. At age seven, I read Robert Louis Stevenson’s Treasure Island and I knew I would grow up to be a pirate and sail the seven seas. That book opened an entire world as magical to me as Narnia was when I read that the next year. The ability for this arcane magic we name story and inscribe on the bones of trees to create truth out of thin air, to open portals, to transport us is alchemy of the soul and RL Stevenson was my first tutor in that art.

What writing project are you currently working on?

I am just putting the finishing touches on TranANIMATIONS, Book Two of The Tales of Sage and Savant, and of course I have a monthly episode to keep abreast of. By next week I am hoping to dive into the final edits for Palace Du Mers, a Steampunk novel set on an elegant ship that I plan on self publishing in spring.

What’s the best writing advice anyone ever gave you?

My writing teacher in Scotland said: “Drafting a novel is like a potter throwing a pot. Step one is to mix the clay. Your first draft is just this—the clay from which you will form your pot. The only thing you need in enough clay for the pot you envision. Don’t worry about the pot shape; that will come later when you put it on the wheel. For now, just mix the clay.” This advice freed me to write a messy first draft. Sometimes I write a scene two or three times sequentially trying different approaches. Then when I move the clay of my novel onto the wheel of editing I choose what serves and what doesn’t.

Want to learn more about Eddie Louise and TransMIGRATIONS? Check out her: Website, Sage and Savant WebsiteGoodreadsTwitter, and Amazon Authors Page.

Or better yet, purchase a copy. Available in Kindle, Nook, Kobo and bookstores everywhere or for a Signed Copy go here.

Thanks to author Eddie Louise for stopping by. Watch for an interview with author Claire Davon on February 5, 2019. Happy reading! – Vonnie

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I love anthologies! I enjoy reading them because I get to sample the writing of lots of different writers. Usually, I find a new voice or two which appeal to me as a reader – then, I go looking for more of that writer’s work.

As a writer, I enjoy discovering anthologies that are looking for work, and writing a story (or poem) which fits the theme. Whether I complete the piece of writing in time to make the deadline is not important. Often, the themes aren’t subjects I’d have chosen on my own to write about, so I’m “stretched” as a writer. I “win” whether the piece makes it into the anthology or not.

A few times, I’ve been actually asked for a submission to an anthology. This is both cool and challenging. You don’t want to let down an editor who has requested your work.

Plus, I’ve been involved in editing several anthologies. Currently, I’m finishing up my editorial duties on Pole to Pole Publishing’s speculative short story anthology, Hides the Dark Tower. (And by the way, really proud of the quality of stories Kelly A. Harmon and I were able to put together for this collection).

As the editor (or co-editor), you have the opportunity to read lots of stories which hopefully fit the theme of the anthology, and select the best group of stories. Notice, I said: 1- fit the theme (writers take pay attention, if it doesn’t fit the theme, it won’t be accepted into the antho) 2- best group of stories (yes, when putting together an anthology, you need not only to think of which stories are best — but which stories fit together to create the best group of tales). Of course, there’s all the bad grammar, typos, and sloppy writing that can mar even the best story. Then, it’s up to the editor/editors to decide if they’re willing to fight their way through the manuscript and deal with all the corrections. (Most times, the answer is, “No.”)

Editor Gil Bavel posted a link to an interesting article on Eight Ways to Kill an Anthology by Geoff Brown. What do you think?

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I’ve attended and participated in many writers conferences over the years. When I return home after spending a day or more surrounded by other people who love writing and books as much as I do, I usually feel rejuvenated and ready to tackle the stack of writing projects on my desk (and floor and bookcase top…)

Sometimes, I’ve managed to take helpful notes. If so, I try to type those up while my memory of the workshop or presentation is still fresh. The longer I wait to type those notes, the fuzzier my memory of the extra details I didn’t jot down will become.

Sometimes, I’ve made a few interesting contacts. And I’ll have a stack of business cards ready to add to my contact file. Lesson learned over the years – always jot a note to yourself on the back of each business card so you’ll remember why this person is important to you. Again, as soon as you get home, expand those notes so in a few months the networking contact will still have meaning.

Sometimes, attending a conference will lead to another presentation opportunity. Follow up on the contact as soon as you’re able to do so. You might remember, but the other person’s memory of the offered (or mentioned) opportunity will soon fade. Networking only works when you follow up!

When presenting, sometimes the presentation doesn’t go as you plan. As soon as you get home, review why it wasn’t as good as it could have been. Come up with ideas to improve the presentation for the next time you’re asked to speak on that subject.

A note here – my worst presentation wasn’t due to anything I did in particular! My presentation time slot was the last of the day, the room was stiffling, there was a loud fan directly beside me, a librarian kept moving around behind me, there were too many people crammed in the room… I tried to adjust for the circumstances, and veering from my planned presentation made me anxious and eager to “just get it over with.” If this conference asks me again to do a presentation, I’ll request an earlier time slot and a more spacious room. I’ll also “stick to the plan,” so I feel more relaxed.

An interesting take on making the most of a writing conference can be found in this Build Book Buzz article.

Hope to see you at a writing conference!

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