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Posts Tagged ‘wizard’

On July 31, 1965, English author, JK Rowling, was born in Yate, Gloucestershire, England. By now, most of us have read at least one of her Harry Potter novels (or for those “I’d rather see the movie instead” folks – have seen one or more of the films based on her books). And many of us have heard about her journey from a barely-getting-by single parent to one of the most successful children’s writers of our time.

I won’t share the inspiring story of JK Rowling’s writing career here, but encourage the curious to visit her website: www.jkrowling.com and discover the details for themselves. What I will share is my gratitude to a writer whose fantasy series about a boy wizard, his friends, and their adventures encouraged many young people to pick up a book (or seven), and read.

Some books take readers on journeys whose destinations can only be reached in the imagination. JK Rowling’s Harry Potter novels are those kinds of books. I thank her for the sharing her magical world and for inspiring me to write my fantasy novel, The Enchanted Skean. And I wish her the Happiest of Birthdays!

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I’m a great fan of ravens – whether the Baltimore football team or the darkly feathered bird of Edgar Allen Poe’s poem. I’ve visited Poe’s grave and attended football games. One of my poems about both the Ravens football team and Edgar Allen Poe was published in The Baltimore Review and released as part of a poetry CD. Another one of my poems, Raven, is competing until midnight Jan 26th on the Preditors & Editors Poll.

I challenge Baltimore Raven fans and Poe fans to vote for my poem, “Raven,” until Jan. 26th midnight at: http://www.critters.org/predpoll/poem.shtml Let’s put the word RAVEN at the top of the poll!

And for those who’d like to read Raven, along with my nominated Short Story-Science Fiction, Weathermaker (pub. in Dragon’s Lure); NonFiction article, Tussie-Mussies (pub. in Faerie Magazine); and view my nominated artwork, Wizard (pub. in Aoife’s Kiss), – check out a temporary page on my website: http://www.vonniewinslowcrist.com/preditors__editors_nominated_work

 If you’re so inclined, you can also vote for me, Vonnie Winslow Crist, as author, poet, and artist in the Preditors & Editors Poll. Here’s the link for Artwork to vote for Wizard – you can easily get to the other categories from here: http://www.critters.org/predpoll/artwork.shtml

So thanks to all you who decide to vote. Hooray for Edgar Allen Poe, whose birthday is later this month. And Good Luck, Ravens in tomorrow’s game!

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 Milder temperatures and a slight breeze made today perfect for trimming the boxwoods, roses, and holly trees in my yard. The trick to trimming shrubs is to snip away the weak bits and tidy up the gangly parts that have grown too large. A gardener’s goal is to have a well-shaped, healthy shrub that’s not only pleasing to the eye, but strong enough to withstand wind, drought, freezing temperatures, and the like.

 A writer must trim their fiction in much the same way. She needs to read through her story with a critical eye and clip away the sections that stick out. She also needs to either strengthen the weaker parts of the narrative or cut them out. No matter how lovely the prose, a misshapen story with over-written sections and malnourished paragraphs stands little chance with most editors.

 And speaking of trimming, those who’re fans of JRR Tolkien’s The Lord of the Rings will remember how Sam Gamgee gets himself in trouble by eavesdropping while trimming the grass outside Frodo Baggins’ window. Gandalf grabs Sam, drags him into Frodo’s home, and asks the terrified hobbit what he heard. Sam’s reply to the wizard: “I heard a deal that I didn’t rightly understand, about an enemy, and rings, and Mr. Bilbo, sir, and dragons, and a fiery mountain, and – and Elves, sir. I listened because I couldn’t help myself…”

And I, like many writers, must admit to being guilty of eavesdropping. Over-heard conversations in malls, fast-food restaurants, in supermarket lines, in darkened movie theaters, etc. are a fabulous way to learn the rhythm of dialog. I couldn’t make up some of the conversations I’ve jotted down on a napkin or paper place mat. When my ear catches the strange snippets of strangers’ conversations, I can’t help myself – I write them down, and later season my fiction with those words.

 And finally, a sentence or four about those dragons that Sam mentions to the wizard. With or without well-trimmed claws, these magical creatures are one of my favorite beasties. To read a free poem of mine entitled, Dragons, that was published by EMG-Zine visit: http://tinyurl.com/vonnie-dragon Or you can check out my dragon tale in the new anthology, Dragon’s Lure, illustrated by Linda Saboe (the illo reprinted here with permission from artist) & published by Dark Quest Books: http://www.tinyurl.com/vonnie-dragonlure  

My message today for writers: Trim your fiction, gather good dialog while eavesdropping, and add a little magic to your prose (or poetry).

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The third eye, the eye that sees into the mind of another or into the future or past, is often needed when writing a speculative fiction story.

In Science Fiction, it’s common for diverse cultures and alien beings to cross paths. But how do they communicate? A version of the Star Trek universal translator can be employed. I used a translation device in my SF short story, “Pawprints of the Margay.” But that technology isn’t always available in the storyline.

Another SF communication option is to have one or more of the characters able to read minds or sense feelings. An empath (think Star Trek Next Generation’s Troi), a mind-reader, even Spock’s Vulcan mind-meld will all do. The ability to see into another’s thoughts can be a trait of one of the races included in the tale, or a special talent of a select character or group. The singing opossum in my story, “Assassins,” seems to know what is going on in the mind of the central character, Flynn. In this case, the reader is never certain whether an animal third eye is being used, since the point-of-view of the tale doesn’t include the opossum.

In Fantasy, the universal translator is replaced by a wisewoman or wizard character who understands multiple languages (and quite often has special third eye abilities, too). JRR Tolkien’s wizard, Gandalf, and The Lord of the Rings’ elf queen, Galadriel, are examples.  In my story published in UK’s Ethereal Tales, “The Garden Shop,” the main character has the ability to speak and understand the language of plants — certainly an uncommon linguistic talent, but one necessary for this tale.

Sometimes in Fantasy (and SF) there is a Rosetta Stone that serves as a translation device. At other times, a “common” language (or tongue) that all races understand is present. But most often, one or more of the characters has third eye abilities.

In the new anthology from Dark Quest Books, Dragon’s Lure, the dragon in my story, “Weathermaker,” can both send and receive communication by thought. The young woman at the center of the short, May, speaks out-loud. She soon realizes the dragon must be talking to her in mind-speak as well as in an audible voice.

The Residential Aliens anthology, When the Morning Stars Sing, includes my fantasy short, “Blood of the Swan.” Liv, the swan-maiden at the center of this tale has foreknowledge of the arrival of Jorund, the man who comes to ask for her help as a healer. Liv not only has foresight, but also the ability to read some of what is in a person’s mind or heart. And that special ability is intrical to the plot.

Whether called an empath, psychic, mind-melder, thought-reader, swan-maiden, wizard, or dragon — it’s common to find a character with a third eye in speculative fiction. Just take a look at your favorite SF/F tales, and you’ll see what I mean.

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