Posts Tagged ‘Wisewoman’

Vonnie2 The end of May is always a busy time for me. Why? Balticon, the Baltimore Science Fiction Society’s annual convention, is held on the Memorial Day weekend: http://balticon.org For more than 20 years, I’ve helped with the Poetry Workshop with the encouragement of my friend and this year’s con chair, Patti Kinlock. (Of course years ago, Balticon was held on the Easter weekend – and I must say I’m grateful it’s in May nowadays).

Many writers don’t bother to attend conventions and conferences, but I find it’s a good idea to interact not only with readers (and fans), but with other writers. Sometimes you just chat and listen to what others have to say about writing, publishing, and editing on the various panels, but often writers have the opportunity to network. In my case, several invitations to submit to anthologies have come about because I attended a con.

I encourage writers (and would-be writers) to attend conventions and conferences. Soak up as much information as you can and take the time to network. I encourage readers to attend cons where authors and illustrators are talking about their craft, autographing their books, and happily meeting their fans. Maybe one of your favorites will be there, or perhaps you’ll discover a new author whose books are just up your alley!

As for me, this Saturday and Sunday, I’ll be at Balticon in Hunt Valley, Maryland. I’ll be reading with 2 other Young Adult authors at 10AM on Saturday, May 25th and autographing at 5 PM. Plus, I should be at the Broad Universe table www.broaduniverse.org for most of Saturday if you’re interested in chatting or purchasing one of my books. On Sunday, May 26th I’ll be participating in the Broad Universe Reading at 9 AM, leading the Poetry Workshop at 12 noon, attending the Poetry Awards at 1:50 PM, and spending an hour with Cold Moon Press at 8 PM. So please stop by and say “Hi!”

For those who can’t attend Balticon, here are links to 2 guest blogs by me on the Young Adult Cross-Over Market: http://patriciastoltey.blogspot.com/2013/05/the-young-adultcross-over-market-by.html and The Wisewoman Archetype: http://sandywriterblog.wordpress.com/2013/05/20/guest-post-from-vonnie-winslow-crist-the-wisewoman-archetype/ I hope you enjoy the guest posts.

Skean copy I’ll be doing more guest posts and interviews this spring and summer as I promote The Enchanted Skean. And I’ll be hoping for good reviews from readers, bloggers, and reviewers alike. As for cons – I’m planning on participating in Hallowread: www.hallowread.blogspot.com , Darkover: www.darkovercon.org and maybe one more. Have a Happy Memorial Day Weekend and keep on reading!

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The third eye, the eye that sees into the mind of another or into the future or past, is often needed when writing a speculative fiction story.

In Science Fiction, it’s common for diverse cultures and alien beings to cross paths. But how do they communicate? A version of the Star Trek universal translator can be employed. I used a translation device in my SF short story, “Pawprints of the Margay.” But that technology isn’t always available in the storyline.

Another SF communication option is to have one or more of the characters able to read minds or sense feelings. An empath (think Star Trek Next Generation’s Troi), a mind-reader, even Spock’s Vulcan mind-meld will all do. The ability to see into another’s thoughts can be a trait of one of the races included in the tale, or a special talent of a select character or group. The singing opossum in my story, “Assassins,” seems to know what is going on in the mind of the central character, Flynn. In this case, the reader is never certain whether an animal third eye is being used, since the point-of-view of the tale doesn’t include the opossum.

In Fantasy, the universal translator is replaced by a wisewoman or wizard character who understands multiple languages (and quite often has special third eye abilities, too). JRR Tolkien’s wizard, Gandalf, and The Lord of the Rings’ elf queen, Galadriel, are examples.  In my story published in UK’s Ethereal Tales, “The Garden Shop,” the main character has the ability to speak and understand the language of plants — certainly an uncommon linguistic talent, but one necessary for this tale.

Sometimes in Fantasy (and SF) there is a Rosetta Stone that serves as a translation device. At other times, a “common” language (or tongue) that all races understand is present. But most often, one or more of the characters has third eye abilities.

In the new anthology from Dark Quest Books, Dragon’s Lure, the dragon in my story, “Weathermaker,” can both send and receive communication by thought. The young woman at the center of the short, May, speaks out-loud. She soon realizes the dragon must be talking to her in mind-speak as well as in an audible voice.

The Residential Aliens anthology, When the Morning Stars Sing, includes my fantasy short, “Blood of the Swan.” Liv, the swan-maiden at the center of this tale has foreknowledge of the arrival of Jorund, the man who comes to ask for her help as a healer. Liv not only has foresight, but also the ability to read some of what is in a person’s mind or heart. And that special ability is intrical to the plot.

Whether called an empath, psychic, mind-melder, thought-reader, swan-maiden, wizard, or dragon — it’s common to find a character with a third eye in speculative fiction. Just take a look at your favorite SF/F tales, and you’ll see what I mean.

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The wisewoman is a character I often use in my fiction. She’s attuned to nature, knowledgeable about animals and plants, and a healer. She’s both midwife and dark angel who opens the doors of birth and death. Usually, she’s been apprenticed to an older wisewoman or is a member of a loosely aligned society of wisewomen. She’s also the owner of a diary, journal, or book of recipes given to her by a now-deceased mentor.

My wisewoman is always a respected member of the community. Loved by some, feared by many, she seems to possess supernatural knowledge. In my stories, the wisewoman is observant, intelligent, intuitive, and empathetic. Using the same information available to the other characters plus her experience and special book, she’s able to find a solution to the problem facing her or another character. Does she do magic? Maybe. I usually leave that up to the reader to decide.

In my eshort, For the Good of the Settlement, the wisewoman and her pet squirrels must decide whether or not to commit murder http:tinyurl.com/vonnie-settlement They’re basically “good,” but will they choose a dark solution to their problem? In my as-yet unpublished novel, The Enchanted Skean, there’s a number of wisewomen who interact with Beck (the main character) as he journeys across the land of Dobran. All of these wisewomen are healers, have special books, a favorite animal, and words of advice for my hero. All of the wisewomen seem to help Beck – but do they assist him out of kindness, for money, or for some ulterior motive?

 I’ve been asked: “Are your wisewomen actually witches?” My response is: no and yes. If you mean “devil-worshipers,” the answer is: no. If you mean “broom-riding hags out to do evil,” again the answer is: no. But if you’re asking if my wisewoman characters might have been accused of witchcraft in Salem, Massachusetts because they were a little “different,” the answer is: yes.

 Many of the women accused over the centuries of being witches were nothing more than healers. Their power over disease was viewed as magical. If a woman was able to cure an illness, some people suspected she might be able to cause illnesses. So a wisewoman healer was often called a hedge witch, and though a part of a community was set apart from that same community because of her oneness with nature.

Wisewoman, village elder, healer, or hedge witch – I like nothing more than to toss into my fiction a powerful, mysterious female character. The question is, do readers like to read about such characters?

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