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 At the recent FaerieCon, I attended a clay sculpting workshop led by the delightful, Patricia Hedegaard. (Shown to the right of text). Ten attendees were each given a lump of clay and 2 black beads. We borrowed Patricia’s ceramic tools, and with her patient instruction — 10 strangely different goblins were born.

 And though the medium is different (words instead of clay), creating a goblin character for a story is much the same. The writer begins with a heap of words and possible ideas in her head. She begins to separate the words, stringing a few together at a time, and eventually shapes them into sentences.

 Next, the writer gathers the sentences into paragraphs. She edits her descriptions, reveals the goblin through its actions (rather than telling), double-checks her folklore and legend references for accuracy, and tosses the faery creature into a plot with a few twists and turns.

 And if the writer is lucky or skilled or a little bit of both — a well-rounded goblin character appears. Whether the nasty, nose-picking spriggans of “Tootsie’s Swamp Tours & Amusement Park” or the mischievous gremlers of “Waiting for More” or the shape-shifting bogle and goblin from “Appleheads,” I had fun creating an assortment of goblins and their kin for my new book, The Greener Forest, due out in March 2011 from Cold Moon Press: http://coldmoonpress.com  And I also had fun creating the little goblin to the left.

My challenge to you: Take time out of your busy schedule to create something magical whether in words or clay or the medium of your choice. And check out the brand new publishing company – Cold Moon Press.

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