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Posts Tagged ‘Razorgirl Press’

DawnVogel-pic Whimsical Words welcomes guest author, Dawn Vogel. Dawn’s academic background is in history, so it’s not surprising that much of her fiction is set in earlier times. By day, she edits reports for historians and archaeologists. In her alleged spare time, she runs a craft business, co-edits Mad Scientist Journal, and tries to find time for writing. She is a member of Broad Universe, SFWA, and Codex Writers. Her steampunk series, Brass and Glass, is being published by Razorgirl Press. She lives in Seattle with her husband, author Jeremy Zimmerman, and their herd of cats.

Dawn’s latest book, Brass and Glass 2: The Long-Cursed Map, is a fun read for those who love adventure. A quick summary for my readers:
dawn vogel book On the hunt for a legendary, cursed map that leads to treasure unimaginable, the crew of The Silent Monsoon, led by the pertinacious Captain Svetlana Tereshchenko, soon discover they aren’t the only ones hunting for riches. But there’s more than gold at stake in this pursuit. The Last Emperor’s Hoard is rumored to contain the Gem of the Seas, a device that gives its owner the power to control the oceans.
Wanted by the Air Fleet and dogged by spectres both real and imagined, Svetlana and her crew will have to call in every favor and pull every string—even if it means stirring up more ghosts—to complete the map before the High Council does. This race will require courage, determination, and sacrifice. Will Svetlana have what it takes to win, or will the map’s curse be too high a price?

Where did the idea come from for your latest book, Brass and Glass 2: The Long-Cursed Map?
My latest book is a sequel to my first published full-length novel, Brass and Glass: The Cask of Cranglimmering. The original book started life as a short story, but grew into a novel. When my small press editors and I were working through the edits on the first book, they asked if there were more books. I hadn’t outlined or planned the other books, but I knew the story wasn’t done yet. So I said yes, I thought I could get a trilogy out of this idea. So in many ways, the second book directly stemmed from my editors loving the first book. The first book also helped to dictate what needed to happen next–the protagonists were in search of a map, and they needed to find all of the pieces. Midway through, they discovered that perhaps the map was more than they’d bargained for, being called the “long-cursed” map and all.

Who is your favorite character in the book—and why?
Of course I adore my protagonist, Captain Svetlana Tereshchenko, but I have a lot of fun writing Indigo, the ship’s mechanic. He’s a teenage boy who grew up in a culture that was far removed from the predominant culture in the books. So he’s often encountering things for the first time in his life that the other characters just accept as part of reality. He also has an abnormal speech pattern, which is both challenging and rewarding to get just right.

Is your book traditionally published, indie published, or self published?
My book is indie published through Razorgirl Press, which is a small press based out of the Seattle area. Because it’s a small press, the editors are people I interact with directly and regularly—we will get together at a coffee shop or other locations to work on edits or discuss plans for the book. Because the cover art and editing are done in house, I feel like I get a lot of input into those things, which I might not have as much if I were traditionally published. The downside, of course, is that the marketing also falls on our shoulders, so it’s not as easy to publicize the book as it would be if I was with a traditional press that has a team for marketing and publicity.

What is your writing process like—are you an architect (planner) or gardener (pantser)?
I started out as a pantser, but I quickly found that path was not a good fit for me. I started planning out all of my books, and I found I was much more productive that way. That isn’t to say that I never wander off down a garden path while writing, and some of those diversions have wound up being fantastic additions to my plans. But I need at least the bare bones of a structure to keep me on track and not wandering off into the woods beyond the garden.

What was your favorite book as a child?
The one I most remember reading (again and again and again) was The Girl with the Silver Eyes by Willo Davis Roberts. One of my teachers in grade school had this book in her classroom library, and I checked it out and read it so many times that at the end of the school year, she gifted it to me. The main thing I remember about the plot as an adult was that the main character had telekinesis, which I thought was the coolest thing ever. I’ve gotten a new copy of the book recently, but I haven’t managed to re-read it since re-acquiring it!

What writing project are you currently working on?
The third book in the Brass and Glass series is in my editors’ hands, so I’ll be working on edits for that in the near future. But in addition to the countless short stories that I’m currently working on, I’m editing the first draft of another novel, this one a post-apocalyptic novel about recovering from past traumas and finding a new place to belong.

What’s the best writing advice anyone ever gave you?
Neil Gaiman once said: “You will learn more from a glorious failure than ever you will from something that you never finished.” I took that advice to heart and try to finish all of the stories that I start!

Want to learn more about Dawn Vogel and Brass and Glass 2: The Long-Cursed Map? Check out her :  Website & Blog,   Facebook Page,
Twitter,   or Amazon Author page.   Or better yet, purchase a copy of Brass and Glass 2: The Long-Cursed Map. 

Thanks to author Dawn Vogel for stopping by. Watch for an interview with author Kathryn Sullivan on December 6th.   Happy reading! – Vonnie 

 

 

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