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Posts Tagged ‘Poetry’

SF Spectrum 9 Among my early Science Fiction and Fantasy publications, were poetry, art, and fiction in SF Spectrum and Macabre, both from SF Spectrum Publications, Nottingham, United Kingdom.

Editor, Wieslaw Tumulka, included my work in 8 issues of his magazines. For a woman from the USA, it was quite exciting to know her words and images were reaching a few readers across the Atlantic.

SF Spectrum 10 I felt privileged to share the pages with artist Steve Lines and writers J. N. Williamson, T. Winter-Damon, Steve Sneyd, John B. Rosenman, Don Webb, Andrew Darlington, John Haines, George Gott, and Mark Valentine,  and many more talented individuals.

In 1986 and 1987 when my work appeared in SF Spectrum and Macabre, the standard format for small or Indie presses was pieces of letter (or legal) sized paper printed on both sides, then, the stack of pages was folded in half and stapled.

SF Spectrum 12 Not very glamorous compared to many of today’s Indie publications, but this was before the advent of computers.

Tumulka, and other Indie publishers/editors were devoted to publishing and sharing the work of writers and artists whose work they believed their readers would enjoy. And in those days, there weren’t online versions and wide distribution — so a contributor “sold” First British Rights, First North American Rights, First Australian Rights, etc. rather than First World Rights or First English Language Rights.

Macabre 7 So which pieces of my writing and artwork did Wieslaw Tumulka choose to include in issues of his speculative magazines? Here is the complete (I think) list:

Poems: “More than Curiosity,” “Saturn’s Song,” “Snapdragons,” “A Circle of Pillars,” “Aware, After All These Years,” “Surgical Leftovers,” “Right Now,” and “Flies.”

Illustrations: “Skeleton in the Toy Box” and “Blooming Skulls” (a cover illustration shown here).

Prose: “Frycakes and Caruso.”

And so I conclude this visit to my past writing/art appearances with a thank you to Wieslaw Tumulka for selecting and publishing my work. It helped give me confidence to keep on creating. And a thanks to the writers and artists whose work I enjoyed in those long ago issues of SF Spectrum and Macabre.

Keep on reading! – Vonnie

Macabre 8

SF Spectrum 11

Macabre 6

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IMG_1821 Today is Edgar Allan Poe’s birthday. Born on January 19, 1809, Edgar lived only 40 years, but his impact on writing has lasted much longer.

Many of today’s writers of dark fantasy, horror, and detective stories can trace their genre’s roots back to Poe. And arguably, even science fiction short stories can find a rootlet embedded in one of his tales.

I, too, have always been a fan of Poe’s wonderfully fantastical tales and lyric poetry. So it is with admiration that I say, “Happy Birthday, Edgar Allan Poe!”

For those who want to learn more, here’s a link to more information on this American writer.

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Usually on Wednesdays I post one quote, or maybe a few, if I’m so inspired. Today, I give you a link to a Literary Advent Calendar and a snippet of a poem instead. By visiting the calendar each day, you can read a poem or lyrics or some other seasonally appropriate quote – even if I don’t post something.

This time of year is filled with the hustle and bustle of the holidays, family, and friends – so I can’t promise to faithfully attend to my blog. Though I will try.

Today, I will post the first stanza of one of my favorite Christmas hymns, In the Bleak Midwinter, based on a Christina Rossetti poem written in 1872 (or earlier), which was given a melody in 1906 by Gustav Holst :

“In the bleak mid-winter
Frosty wind made moan,
Earth stood hard as iron,
Water like a stone;
Snow had fallen, snow on snow,
Snow on snow,
In the bleak mid-winter
Long ago…”

along with a link to Bookriot’s Literary Advent Calendar. Enjoy!

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I taught poetry residencies for the Maryland State Arts Council’s Artists-in-Education Program for over ten years to students from kindergarten through grade twelve. It was a wonderful, but exhausting, experience. The first thing I wrote on the board when I walked into the classroom was: “”Poetry excites the senses!” And then, I’d write my name.

Because of the limited number of words a poet has to express their ideas, they must choose wisely. In my opinion, the wisest way to express yourself and grab a reader is to use sensory language. I used to had out a list of sensory words for all five senses, then I’d have the students read aloud the smell and/or taste words. I still hand out that list to prose and poetry writing workshops I teach – whether young writers, college level courses, or adults.

Why? Because a writer needs to be observant. He or she needs to see, hear, smell, taste, and touch the world around them, and use that information to enrich their writing. Readers can more easily become immersed in your world when they can identify with the sensory experiences your characters are having.

Again, I’m going to link to writing friend Steven R. Southard’s blog, Poseidon’s Scribe where he discusses another way for writers to think like Leonardo da Vinci: Sensazione.

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794 Little Orphant Annie by James Whitcomb Riley was one of the scariest poems read to me as a child. Perhaps its dire warnings and promises of goblins lurking near helped me behave when I was young. Or perhaps they influenced me to write dark stories when grew older.

I remember decades ago, at the annual Halloween poetry reading held for years at Liriodendron Mansion in Bel Air, Maryland, members of the Harford Poetry Society and others would turn the lights down low, light a candle, and read in unison Little Orphant Annie. One year while reading the poem, with no windows open and no living person nearby, the candle’s flame wavered and went out when we reached “A-listening to the witch tales that Annie tells about…”

Here for your reading pleasure, in anticipation of Halloween, is today’s quote, Little Orphant Annie by James Whitcomb Riley.

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weston201415 365 Thanks to author Neil Weston for stopping by and sharing the inspiration for his story, “The People of the Tower.” Enjoy!

From Poem to Story by Neil Weston

‘I’m one of these writers who wants to write stories with a flowery, poetic form as their backbone. Not an easy combination to pull off, as witnessed by a well of rejections! After getting my story, “The People of the Town,” accepted into Pole to Pole Publishing’s Hides the Dark Tower anthology, using a similar format, I was finally able to breathe that this style could work. It was only my second short story acceptance and, more importantly, was an experience in patience and belief.

The story originally started as a short-form poem and was inspired by my earlier poetic creations of servile/servant, warrior Japanese Kimono Droids (soft-faced, androids wrapped in colorful, steel, Kimonos and impervious to almost any munition) and a fascination with Japanese culture, history and mystery. A Kimono Droid inspired poem can be found in issue seven of Eye to the Telescope online.

My imagination is bleak, and I wanted these droids or variations of them to be the only things to survive an apocalyptic scenario. When I hit upon a near future destroyed by over industrialization, the shaping of the tale became evident. I have a penchant for irony and was keen to see the ending reveal painfully downbeat. My favorite poets are Bukowski, Plath, Shelley and of the modern crop of speculative poets, Alicia Cole. I think they all impacted on my vision and approach and to take a chance on some beautiful, brutal words, which then inspired the shape of the landscape in my head. Thanks as well to the Internet and multitude of websites for slowing me to fine tune dress and language and food.

Pageflex Persona [document: PRS0000039_00001] I like my poetry to be self-contained tales, and I think practicing Twitter fiction was a perfect form by which to learn to choose words carefully. With the editorial expertise of F.J. Bergmann, you can find one of my favorite creations in Mobius: the journal of social change, Vol 24, No 1 (under Neil Weston), which provides an insight into how and why “The People of the Town” evolved in the manner it did. Even though I’m always eager to finish one tale and tell the next, from poem to short story was about a calendar year of adding, subtracting words. This was truly a tale that refused to be rushed into being, much to my frustration! But I think the end result delivers my vision…’

To learn more about Neil Weston, visit his Facebook page.

If you’d like to read more of his work, you can check out a story in Forging Freedom Dimensions and a piece of flash fiction in Big Pulp.

Thanks again to Neil Weston for his guest post. Watch Whimsical Words for more Guest Authors, Quotable Wednesdays, posts from me, and more. Have a fascinating day – Vonnie

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I had the pleasure of doing an interview with fellow speculative writers and friends, Paul Lagasse and Gary Lester on the last day of Baltimore Science Fiction Society’s Balticon 49 for the audio show: Channel 37 – Serial Science Fiction from the Distant Reaches of UHF.

Alas, the only place to record the conversation was in the foyer of the hotel lobby – so you will hear people walking by and automatic doors whooshing open and close. Nevertheless, I hope you’ll turn up the volume and enjoy:

Channel 37 Audio Invasion Episode 13 featuring Vonnie Winslow Crist.

Thanks, Paul and Gary. Though exhausted after a busy weekend at Balticon, I hope I make sense and give your listeners (and my readers) something to think about.

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