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Posts Tagged ‘Jane Austen’

Wendy Van Camp Headshot 2018Whimsical Words welcomes guest author, Wendy Van Camp. Wendy Van Camp writes science fiction, regency historical, and scifaiku poetry. No Wasted Ink is her platform featuring essays, poetry, flash fiction, and author interviews. Wendy’s stories and poems appear in magazines such as “Quantum Visions,” “Scifaikuest,” “Lit Up,” “Writing Cooperative,” and “Far Horizons.” She has won Honorable Mention in the Writers of the Future Contest, and is a graduate of the James Gunn Speculative Fiction Workshop.

Wendy Van Camp’s latest book, The Curate’s Brother, is a novel fans of the Regency time period are sure to enjoy. A quick summary for my readers—In the summer of 1806, a young curate is surprised by the arrival of his brother, who is on shore leave from his battles in the Napoleonic wars. Commander Frederick Wentworth has come to Somerset to spend time with the only family he has in England as he waits for reassignment.

All the good Commander wants to do is flirt and dance with the ladies until he is called back to sea, but when his flirting extends to an outgoing beauty that Edward Wentworth always disdained as “a child,” the curate becomes aware that his opinion of the girl is sorely outdated. Meanwhile, Frederick becomes drawn to the shy wallflower, Anne Elliot. She is the daughter of a baronet and above his station, but Frederick pays no heed to his brother’s warnings that class may prevent their union.

At the end of summer, a letter and package arrive that will change everything for the two brothers. Which will prevail? The bold action of the commander or the quiet manners of the curate?

The Curate's Brother Book Cover Novelette (sidebar)wendy Where did the idea come from for your latest book, The Curate’s Brother?

The idea started out as a different story that I called “Letters From The Sea” that awakened in me a few months after I read the Austen novel, Persuasion, and I fell in love with the characters. Most of the story was told through the point of view of Anne Elliot and Frederick Wentworth. Only the first chapter was told via Edward Wentworth’s eyes. The chapter simply did not fit with the rest of the book. One day, I thought to myself that I should take this one chapter and turn it into a stand-alone short story.

I brought this short story to my science fiction critique group. It did not go well. Half the men refused to read it because it was “romance” and most of the others flat out hated it. Only one writer thought it had promise. She told me, “the story needs ten thousand more words,” and she outlined the main plot points of my short story for me. I had a plot there. A true beginning, middle and end, but it was lacking in details.

Over the next two weeks, I wrote like a demon and the majority of the scenes were added, making the story a novelette in length. I could not get the science fiction critique group to agree to reread my story. I took it to another critique group, one that had a mix of genre. There my new story was greeted with a different tone. Most of the people loved it and several said that they felt it was ready to publish. So a week or two later, that is what I did. The novelette has done well, selling thousands of copies.

Who is your favorite character in the book—and why?

I am fond of Frederick Wentworth because he goes through so much growth in the story. He begins as a rash young officer in the navy and gradually overcomes much adversity, both emotional and physical, to become a mature young man. He grew in a similar manner in Austen’s original novel, but I wanted to showcase more of his life and the culture of the English people during the Regency era.

Is your book traditionally published, indie published, or self published?

My book is indie published. I enjoy keeping complete control over my creative products, be they books, artwork, or jewelry items. I also keep most of the profits of my sales. There are a few disadvantages in that I do need to pay for everything upfront from my own pocket, from editors, to cover artists, and formatters. Since I am a bit tech savvy I can manage to most of the work myself, but this also takes time from my writing schedule.

What is your writing process like—are you an architect (planner) or gardener (pantser)?

I used to lean more toward being a pantser when I first started writing. I still like to leave plenty of room for the characters and situations in the story to grow organically. However, I’ve learned the value of leaving myself a trail of breadcrumbs to follow as I write. In the last few years, I’ve become more of a plotter.

What was your favorite book as a child?

That is a tough one. I have many favorites. I was one of those kids that practically lived at the local library. Of course, where I grew up in the Pacific Northwest, it rained a lot. The library was a comfortable dry place to hang out in! The book that got me hooked on reading science fiction was A Princess of Mars by Edgar Rice Burroughs. The sheer adventure, the gallantry and the spirit of Dejah Thoris and Sola called to me. In my middle years, Anne McCaffrey was my biggest influence and it was a real toss-up between The White Dragon and the Harperhall Trilogy. I loved Pern with its protective dragons and the pet firelizards, but also the music. I still love Celtic folk music to this day, and I believe my first exposure to this came from Irish transplant, Anne McCaffrey.

What writing project are you currently working on?

I am in the process of finishing up my historical regency series. The other three books are drafted, they need revision and polish before release. But I do have a new potential series in the works. It takes place on the planet Mars in the near future. I want this to be more of a hard science fiction story with attention to the real science behind living on the Red Planet and focusing how it would affect the lives of those that colonize this new world. In conjunction with this new Martian series, I am creating a chapbook of Martian poetry that will feature my scifaiku poems and longer form free verse all on the theme of surviving on Mars. I tend to write haiku poems as I research a new setting for a novel. A haiku captures tiny moments or emotions in connection with a place. The poetry lets me get a good feel for a world before I start writing the book.

What’s the best writing advice anyone ever gave you?

Be consistent in your writing and get a little bit more done every day. I try my best to follow this advice, although I do take a day off now and then for family and friends.

Want to learn more about Wendy Van Camp and The Curate’s Brother? Check out her:  WebsiteNewsletterFacebook pageTwitterMediumWattpad, and  Amazon Authors Page.

Or better yet, purchase a copy of The Curate’s Brother.

Thanks to author Wendy Van Camp for stopping by. I’ll be posting over the next two weeks, then watch for more author interviews in April. Happy reading! – Vonnie

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CLundoff Publicity photo Whimsical Words welcomes guest author-editor-publisher, Catherine Lundoff. Catherine Lundoff is a Minneapolis-based award-winning writer, editor, and publisher. Her recent stories have appeared in Tales of the Unanticipated, Curious Fictions, The Cainite Conspiracies: A Vampire the Masquerade V20 Anthology, The Mammoth Book of Jack the Ripper Tales and The Mammoth Book of the Adventures of Professor Moriarty. Her books include Silver Moon, Out of This World: Queer Speculative Fiction Stories and as editor, Scourge of the Seas of Time (and Space). She is the publisher at Queen of Swords Press.

Catherine Lundoff’s latest book, Scourge of the Seas of Time (and Space), is a new anthology fans of pirates and adventure are sure to enjoy. A quick summary for my readers—Think pirates are all about the rum and the pieces of eight? Let these fifteen tales draw you into the adventures of a new kind of pirate. Sail with them as they seek treasure, redemption, love, revenge and more. Raise the Jolly Roger and sharpen your cutlass (or recharge your raygun) and climb aboard for some unforgettable voyages. Featuring stories by Ginn Hale, A.J. Fitzwater, Geonn Cannon, Joyce Chng, Elliott Dunstan, Ashley Deng, Su Haddrell, Ed Grabianowski, Mharie West, Matisse Mozer, Soumya Sundar Mukherjee, Megan Arkenberg, Peter Golubock, Michael Merriam, and Caroline Sciriha.

ebook QoSP Scourge 432 x 648 72 dpilundoff Where did the idea come from for your latest book, Scourge of the Seas of Time (and Space)?

I started my own small press last year and I wanted to publish an anthology. Originally, it was on a different theme and was going to have a different editor, but that fell through, so I decided to go ahead with another theme that I liked. I’ve always had a fondness for pirates, fictional as well as historical, starting with reading Treasure Island when I was a kid. Since pirates historically turn up all over the world, as well as in fantasy and science fiction, I thought it would be a great opportunity to solicit stories from writers from different countries as well as subgenres. I also opened it up to stories featuring protagonists of any gender or orientation to try and get to a reflection of the diversity of the topic.

Who is your favorite character in the book—and why?

Ooh, that would be a challenge! I really like all the stories in different ways. I think you really have to get to a point where you appreciate all the strengths of every story you accept when you’re editing an anthology. Between story selection and rounds of editing, you’re going to be reading and rereading those same stories a LOT. Multiple rereads in, I still love all the protagonists in a book with stories that range from the aftermath of the Trojan War to outer space, (most of) the 7 seas and the lands beyond!

Is your book traditionally published, indie published, or self published?

It’s traditionally published in the sense that it’s being released by a publishing house; however, Queen of Swords Press is my small press so things get a bit complicated there. I have edited or co-edited two previous anthologies for a different small press though, so I have something to compare it to. The contrast between editing for someone else and doing it on my own is the scale of work involved. I’m doing all my own publicity for Scourge of the Seas of Time (and Space) as well as for other Queen of Swords Press titles and I’m taking all the financial risks. On the other hand, I get to make my own decisions without needing to answer to anyone else and pick stories based on what I like. I’m pretty pleased with the mix of stories that I selected and I know that it would look somewhat different if I had to answer to a different publisher.

What is your writing/editing process like?

I’ll talk about my editing here, instead of writing, because that’s been my latest focus. In terms of story selection, I tried to put a lot of thought into the kind of anthology that I wanted to publish. I wanted a mix of pirate stories set in different parts of the world as well as in fantastical settings and in outer space. I wanted a range of protagonists to somewhat reflect the historical diversity of pirate ships and crews. Add to that, I wanted authors from different parts of the world as well as protagonists of different genders and sexual orientations. So I did an open call where I specifically asked for international authors and for protagonists of any gender or orientation. I ended up getting submissions from authors in fourteen countries, which was pretty amazing.

From those submissions, I had to go through and pick the strongest of the stories that I got, then decide which ones I wanted in the anthology. I tried to pick based on my goals: having a diverse range of pirate stories and an anthology Table of Contents that wasn’t all white guys or all cis people or all from the U.S. Fortunately, I had a lot of really good stories to choose from so it was a more a matter of picking “best in class” rather than “I must take it because it’s the only thing like it that I have.” Editing themed anthologies can be challenging that way. I say this despite this being my third one, so you would think it would get easier with practice. At any rate, everything after the story selection part was reading and rereading and providing feedback to the authors and incorporating changes and getting copy edits back and so forth.

What was your favorite book as a child?

I had a LOT of favorite books as a child and they changed every couple of years. The first book I ever read on my own was Alice in Wonderland, then I went through a lot of Robert Louis Stevenson, fairy tales and other related work. Alexandre Dumas and Jane Austen got me through my early teens. On bad weeks, The Count of Monte Cristo is still a map of my mental landscape. When in doubt, I can always count on getting a mental image of tunneling out of the Chateau d’If with a spoon. Puts everything in perspective. I have a list of every book that I’ve read since I was ten years old so I can backtrack through the Narnia years, the Lloyd Alexander years, and so forth. I owe my fragile sanity entirely to reading, but I have to say that it was a collective effort. I can name ten to twenty favorite books, but not just one.

What writing project are you currently working on?

I’m currently working on Blood Moon, the sequel to my menopausal werewolf novel, Silver Moon. Blood Moon focuses on the same protagonists as in the previous novel and has more mystery and romance elements than the first book. Apart from that, I’m working on a couple of new short stories and some gaming-related projects. And the next books for Queen of Swords. I like to keep things lively.

What’s the best writing advice anyone ever gave you?

It’s a toss-up between “Learn to love rewriting” and “Pick a day job you don’t hate, because you’ll spend more time there than anywhere else.” They are both useful, if somewhat depressing, in their own way. I think both pieces of advice are also very realistic and sometimes, we need to hear that. I know there’s a strain of thought, particularly in genre fiction, that “real writers don’t need day jobs,” but I think that gets less and less realistic for most of us as the field changes. And rewriting for me is like painting: you do a sketch, and then, start adding layers. Those layers add depth and beauty, if you do them well, in the same way that rewrites help you to create a better story and become a better writer.

Want to learn more about Catherine Lundoff and Scourge of the Seas of Time (and Space)? Check out her:  WebsiteFacebook pageQueen of Swords Press Website, and Amazon Authors Page.

Or better yet, purchase a copy of Scourge of the Seas of Time (and Space) from Books2Read or IndieBound.

Thanks to author-editor-publisher Catherine Lundoff for stopping by. Watch for an interview with author Meriah Crawford on February 14, 2019. Happy reading! – Vonnie

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