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Posts Tagged ‘illustrations’

SF Spectrum 9 Among my early Science Fiction and Fantasy publications, were poetry, art, and fiction in SF Spectrum and Macabre, both from SF Spectrum Publications, Nottingham, United Kingdom.

Editor, Wieslaw Tumulka, included my work in 8 issues of his magazines. For a woman from the USA, it was quite exciting to know her words and images were reaching a few readers across the Atlantic.

SF Spectrum 10 I felt privileged to share the pages with artist Steve Lines and writers J. N. Williamson, T. Winter-Damon, Steve Sneyd, John B. Rosenman, Don Webb, Andrew Darlington, John Haines, George Gott, and Mark Valentine,  and many more talented individuals.

In 1986 and 1987 when my work appeared in SF Spectrum and Macabre, the standard format for small or Indie presses was pieces of letter (or legal) sized paper printed on both sides, then, the stack of pages was folded in half and stapled.

SF Spectrum 12 Not very glamorous compared to many of today’s Indie publications, but this was before the advent of computers.

Tumulka, and other Indie publishers/editors were devoted to publishing and sharing the work of writers and artists whose work they believed their readers would enjoy. And in those days, there weren’t online versions and wide distribution — so a contributor “sold” First British Rights, First North American Rights, First Australian Rights, etc. rather than First World Rights or First English Language Rights.

Macabre 7 So which pieces of my writing and artwork did Wieslaw Tumulka choose to include in issues of his speculative magazines? Here is the complete (I think) list:

Poems: “More than Curiosity,” “Saturn’s Song,” “Snapdragons,” “A Circle of Pillars,” “Aware, After All These Years,” “Surgical Leftovers,” “Right Now,” and “Flies.”

Illustrations: “Skeleton in the Toy Box” and “Blooming Skulls” (a cover illustration shown here).

Prose: “Frycakes and Caruso.”

And so I conclude this visit to my past writing/art appearances with a thank you to Wieslaw Tumulka for selecting and publishing my work. It helped give me confidence to keep on creating. And a thanks to the writers and artists whose work I enjoyed in those long ago issues of SF Spectrum and Macabre.

Keep on reading! – Vonnie

Macabre 8

SF Spectrum 11

Macabre 6

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One year over and another one begins. It seems a perfect time to look at my 2016 writing and art stats, and set some 2017 goals – which are to write/draw/publish more than I did in 2016! And I don’t want to forget to say a heartfelt Thank You to all my readers for buying and reading my work. 🙂

2016 Awards: “Bloodguiltless” won Silver Honorable Mention, Writers of the Future Contest.

2016 Publications:

Cover-Electronic-GreenerForest Books:

The Greener Forest ( fantasy story collection) revised, enlarged, and re-published by Pole to Pole Publishing.

Murder on Marawa Prime (sf novelette) from Pole to Pole Publishing.

The Enchanted Dagger (revised fantasy novel) from Pole to Pole Publishing.

In a Cat’s Eye (co-edited) from Pole to Pole Publishing.

Short Stories:

“The Cafe at the End of the Lane” in The Night Cafe anthology.

“Shoreside” in Fantasy Divinia Magazine and in their Memories of the Past – 2016 Best of Anthology.

Murder_Cover_CS_front “Appleheads” in Les Cabinets des Polytheites anthology.

“The Garden Shop” online in The Lorelei Signal.

“Pawprints of the Margay” in The Great Tome of Fantastic and Wondrous Places.

“Bad Moon Rising” in Unoriginal.

“The Burryman” in The Great Tome of Cryptids and Legendary Creatures.

“The Monk’s Fosterling” in FrostFire Worlds.

“Feathers” in Trysts of Fate.

51q9gur7vpl “Gifts in the Dark” released as an eBook by Digital Fiction Publishing Company.

“The Clockwork Owl” in FrostFire Worlds

“Henkie’s Fiddle” podcast in Cast of Wonders.

“Balming the Thorn” in FrostFire Worlds.

“Smoke and Sprites” in Jouth UFO Anthology.

“Tower Farm” in Outposts of Beyond (and included in re-issue of Dogs of War)

“Justice” in Devolution Z.

crist-dagger “Beneath the Summer Moon” in Hoofbeats – Flying with Magical Horses.

Essay: “Country Stroll” in Culture Cult Magazine – Spring Issue

Poems:

“Flower-Face” in The Dark Ones – Tales and Poems of the Shadow Gods

“Owl Light” in 47 – 16 Volume 1 – Short Fiction and Poetry Inspired by David Bowie

“Goblin King” in 47 – 16 Volume 2 – Short Fiction and Poetry Inspired by David Bowie

catseye_final-72dpi “Mourning” in The Grief Diaries

“Phoenix” in The Show Must Go On – Short Fiction & Poetry Inspired by Freddie Mercury & Queen

“September Fifth” in The Show Must Go On – Short Fiction & Poetry Inspired by Freddie Mercury & Queen

“Venus” in Garland of the Goddess – Tales and Poems of the Feminine Divine

“Night” in Garland of the Goddess – Tales and Poems of the Feminine Divine

“The Deluge” in Culture Cult Magazine – Monsoon Issue

“Tree Frog” in Culture Cult Magazine – Monsoon Issue

Art:

“Boy and Dog in the Purple Mountains” (cover art) Spaceports & Spidersilk Jan. 2016

“Scarecrow” (cover art) Spaceports & Spidersilk Oct. 2016

3 interior illustration in Alban Lake Publishing magazines (my apologies if I’ve missed any publications – I’ll update later if I find any more).

Now on to 2017!

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In an attempt to finish many incomplete projects, I’ve set monthly goals for myself. So, how am I doing on the April and May 2016 goals I set forth on April 1st?

What’s done?

Murder_Cover_CS_front1-Complete my science fiction novelette (such a charming word!) and get it into the hands of my publisher. Done! Murder on Marawa Prime was published by Pole to Pole Publishing in May 2016. If you like science fiction murder mysteries – this one is for you.

2-Finish crocheting an afghan for my granddaughter. Done! And given to her. (pastel colors)

3-Revise and add another story and poem to my fantasy story collection, The Greener Forest, so it can be re-released with a new cover, etc. Done! Now, all that’s left to be done are to get some cover comments from fellow fantasy writers.

4-Finish at least 2 short stories and submit them to publishers. Done! I await the editors’ responses.

5-Finish crocheting an afghan for youngest grandson. Done! (greens, blues, and black) Plus, I finished crocheting an afghan for my oldest grandson, too. (reds, blues, and black) Both were given to the boys earlier in June.

6-Went on a 2 week RV trip to see a niece and her husband in Indiana; visit Lincoln country in Illinois; see Mark Twain sites in Hannibal, Missouri; visit Lewis & Clark sites in St. Louis, Missouri; visit Graceland in Tennessee; visit Shiloh Battlefield in Tenn.; see Ruby Falls & Cave and Look Out Mountain in Tenn.; visit Chickamauga Battlefield in Georgia; visit godmother in Greenville, South Carolina; visit uncle in Sparta, North Carolina, see sister and brother-in-law in Staunton, Virginia; and get back to Maryland in one piece. Done!

So what’s NOT done?

1- I haven’t gotten all the letters home from World War II from a great-uncle typed, or begun research for this nonfiction book.

2- I’m still polishing one story for a publisher, and working hard on another for a science fiction anthology. I’m hoping they’ll both make it to the Table of Contents.

3- The embroidered samplers still await their borders and framing – though I have gotten out the fabric to finish the projects.

4- The black and white drawings await their scanning. Why is this not done? I want to make a few changes in each drawing.

Where do I go from here? Set goals for June and July, of course!

By the end of June, I will:

1- send in a final version of a story I’ve been working on since last June!

2- send in the first draft of a science fiction story to an anthology.

3- type at least 10 more letters from World War II.

4- add borders to and frame one of the samplers.

5- put a border and backing on a vintage redwork quilt top which has suddenly become mine. (More on this unfinished project later).

By the end of July, I will:

1- send a final version of the science fiction story to the anthology.

2- begin reading books to prepare to submit to another anthology.

3- type 10 more letters from WW II.

4- revise my science fiction and fantasy collection, Owl Light, in preparation for re-release.

How about you? Are you trying to finish up unfinished projects, too? Any tips for me?

Now, back to work on an unfinished story! – Vonnie

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I love photos of space. The Hubble Telescope and other new technologies give us such spectacular images upon which to gaze. I suspect, like me, other writers of science fiction study these pictures (or ones like them) and use the images for inspiration.

I’ve always dreamed of exploring another world, but I think my age and the lack of space travel opportunities have made that dream unobtainable – except in my imagination. And so, I shall continue to paint images of distant worlds and write science fiction stories where treading upon the soil of a planet in another galaxy is not only possible, but a common experience.

Below is a link to a gallery titled, “Cosmos” NASA Images of  a Space-Time Odyssey. From this link, you can get to other fabulous photos.

https://www.flickr.com/photos/gsfc/sets/72157642013369213/

I hope you’re enjoying my blog posts and links. Want to show some love? Visit my Amazon page and consider buying a book. 🙂

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Two of my guest posts went up on blogs this week. The first, “Writing Isn’t for Ninnies,” appeared January 30th on Casting Shadows – Home of the Young Adult and Children’s Author, K. B. Lever. It’s about the thick skin a writer needs to develop in order to get through the sometimes negative feedback she receives from editors, reviewers, and readers.

The Golden Egg And even if you grow that crocodile-tough hide, it still stings when someone doesn’t like your writing – or for that matter, your artwork. Probably the most painful critique I’ve received of late came from some editors at a children’s book writers’ conference. I’d submitted copies of a few paintings for review by a panel of experts. One editor said (in a rather disgusted manner) that he had nothing to say about my illustrations. A couple of others said they didn’t care for the paintings, and my art wasn’t the sort of thing they used. The last panelist picked away at the techniques used, the anatomy, facial expressions, etc.

Luckily, the slides weren’t labeled with who the artist was (me), and I didn’t have to stand up in front of the crowded room and take the criticism. But it still was uncomfortable. And I knew that it didn’t matter if their criticism was accurate or not – I needed to push beyond it, remain true to my creative vision, and resume my writing and painting. (One of the unloved paintings, “The Golden Egg,” appears here).

box of clovers My second guest post of the week was “Seeing Fairies” at Kriss Morton’s Cabin Goddess site. This was a first for me – a Fourth Wall post. As Kriss describes it: “Allow yourself as an author to open up a new avenue of sharing your AUTHOR PERSONA & WORLD BUILD in a unique and creative fashion.. Just take a chance, write fluidly and from within that “place” you hangout at with your muse. Or perhaps walk in the door, tuck into a corner & watch your characters, or talk with them…”

In the post, I reveal I’m a cloverhand – a term you’re not likely to recognize unless you’ve read Maggie Stiefvater’s Lament. Basically, it means I constantly find four-leafed clovers, and I see folk from the world of Faerie. How much of the post is factual and how much fanciful? I’ll let the readers decide.

But just in case you don’t believe in cloverhands, here’s a picture of a few of the four and five-leafed clovers I’ve found recently. Eventually, the pressed clovers become so brittle their leaves fall away and they turn to dust – but what magical dust it is indeed.

To read my 1st Fourth Wall post: http://cabingoddess.com/2013/02/seeing-fairies-with-vonnie-winslow-crist-fourth-wall-friday/

And look for another author guest on Monday. Till then, believe in the magical! – Vonnie

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As 2012 draws to a close, I look back on a year filled with professional highs and lows.

pillywiggins My young adult novel, The Enchanted Skean, once represented by a successful New York literary agent found itself homeless when the agency closed. Due to family obligations, I couldn’t go to a science-fiction/fantasy convention I wanted to attend, and another con didn’t even acknowledge my desire to participate. My 2nd collection of speculative short stories, Owl Light, needed at least 2 more stories and I couldn’t seem to write the right tales. Plus, I had to wait my turn in the publishing schedule (not always easy to do when you’re anxious to see your work in print). A fantasy painting accepted for a magazine cover was not used when the editor left her position. Several stories I thought well-written were rejected from what seemed to me to be perfect markets. And I could go on.

But wait, before I cry in my tea, for every setback, there was something positive in my author-illustrator life.

My young adult novel, The Enchanted Skean, found a home with the wonderful folks at Mockingbird Lane Press, and is due to be published in early 2013. I was able to attend and participate on writer panels at the Library of Congress,  Balticon, and Darkover. And I had several unexpected book signing opportunities at the Bel Air Authors & Artists Holiday Sale and the Carroll County Farmer’s Market Authors’ Day. Ideas for the 2 tales I needed to write for Owl Light sprang into my head like nibble sprites, and my turn to be published by the excellent Cold Moon Press is rapidly drawing near. Though that one painting hasn’t made it to the cover of a magazine yet, 2 others were used for the covers of Bards & Sages Quarterly and Scifikuest. Perfect markets accepted and published several of my stories: Tales of the Talisman, Ocean Stories, and Zombies for a Cure. And I will go on!

Harford’s Heart Magazine featured one of my paintings as a cover and did a feature article on me as an illustrator. Bards & Sages accepted another painting for a 2013 cover. I had 2 ebooks published by Cold Moon Slivers and, yeah!, I got to do the cover art. I had the opportunity to appear as a guest on several blogs. The reviews for my 1st Cold Moon Press book, The Greener Forest, continue to be good. Broad Universe, a fabulous group that supports women who write speculative work, featured me 3 times on their Broadpod podcast, and once on Broadly Speaking. The beginning of an unpublished YA fantasy novel won the Silver Award from Maryland Writers Association. I felt honored to judge both a poetry competition and an art contest.

I’ve gotten to meet many readers and writers in 2012, both in-person and via Facebook, Goodreads, etc. And I was lucky enough to have a poem in the final issue of EMG-Zine, an online speculative magazine. Yes, I said final issue. Though the archives are supposed to remain available, EMG-Zine has closed its doors to new poems, stories, articles, and art work. The editor may be gaining time to work on her own creative endeavors, but readers and writers will surely miss this lovely publication.

And so, 2012 draws to a close. On this last day of the old year, I have an interview up on Highlighted Author- http://highlightedauthor.com/2012/12/welcome-vonnie-winslow-crist/ Thanks, Charlene A. Wilson for allowing me to finish 2012 on a high note. (Okay, that was a little punny.)  I look forward to 2013 with all of its ups and downs, unexpected curves, and joyous surprises. And may 2013 bring good things to each of you.

PS: Though I try to count my blessings accurately, I’m sure I’ve over-looked a publisher or 2 who has used my work. Thanks to them, too.

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I’ve been lucky over the past year to have had several of my paintings selected for cover art for magazines. The nicest part about this wonderful series of acceptances is that multiple editors have chosen my work.

“A cover is a cover,” you might say. “Why does it matter how many editors are involved?”

My response would be the same if it was artwork, stories, articles, or poems: One editor is just one opinion, but a group of unrelated editors brings different backgrounds and preferences to the table. If an artist or writer is able to please several editors, then she is also able to connect with a larger group of readers. And connecting with readers is what writers and illustrators need to do if they hope to build an audience for their work.

 My latest magazine cover is for the October/November 2012 issue of Harford’s Heart Magazine. Not only is one of my paintings on the cover, but there’s an article about me as an illustrator, and several other pieces of my art featured on the inside of the magazine (p.8 and 44-45). Here’s the link to the online version of the current issue: http://www.harfordsheart.com Click on: Current Issue, then flip through the pages to see the article.

“Wait a minute,” you might say. “That painting looks mighty familiar.”

And you’d be right! The artwork is part of a larger painting that will be the wrap-around cover of my next collection of speculative stories, Owl Light, due out from Cold Moon Press in a few weeks. Again, I’m trying to build a group of readers who like the look of my art, and are curious about what sort of tales would fit into a book with a yellow-eyed owl peering from its cover.

I’d love to hear from you. Do you find the barn owl in front of an orange moon with the dark forest and sky an appealing cover? And what sort of stories do you think will be in Owl Light?

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