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Posts Tagged ‘Fantasy’

Grue Magazine 7 Yesterday, I wrote about some of my early Science Fiction and Fantasy publications in the SF Spectrum Publications in the United Kingdom.

Today, I want to mention a few of the SF and F magazines which included my speculative work very early in my writing career. Again, I want to thank these editors who not only devoted time and talents to sharing their love of science fiction, fantasy, and horror — but who often put in their own money.

Worlds of Wonder Oct 87 I am not the only writer who benefited from their efforts. Everyone begins somewhere, and many writers and illustrators whose names are now recognizable began on the pages of these (or similar) Indie publications.

Thank you to Gary William Crawford of Supernatural Poetry who published my poem, “Driftwood,” and Robert E. Cooke of Worlds of Wonder who published my poems “Chains,” “Deep Water,” and “Caverns.”

Supernatural Poetry One Also thanks to John Postovit of Alpha Adventures: Science Fiction and Fantasy Magazine for publishing my poem, “A Circle of Pillars,” Janet Fox of Scavenger’s Newsletter for publishing my poem, “A Robot’s Question,” and Peggy Nadramia of Grue Magazine for publishing my poem, “Not Seen.”

And lastly, thank you to Donald L. Miller of The Nightmare Express for publishing my poem, “Omens” and Charles M. Saplak of Celestial Shadows for publishing my prose piece, “Fish Story.”

Alpha Adventures Sept 85 By publishing my work and the work of other speculative writers in these labor-intensive Indie magazines, these editors introduced a new crop of storytellers to readers. Their hard work is why many successful writers of today have a reader base.

For example, I share the Table of Contents in the issue of Grue Magazine mentioned above with Wayne Allen Sallee, Keith Allen Daniels, Elizabeth Massie, Mort Castle, John Maclay, Kevin J. Anderson, J.N. Williamson, Jessica Amanda Salmonson, Mark Rich, and other wonderful writers. I feel lucky!

So while I’d love to have you purchase books from the “big” publishers, don’t forget to support the Indie publishers. – Vonnie

Scavengers Jan 87

Celestial Shadows 92Nightmare Express May 87

 

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SF Spectrum 9 Among my early Science Fiction and Fantasy publications, were poetry, art, and fiction in SF Spectrum and Macabre, both from SF Spectrum Publications, Nottingham, United Kingdom.

Editor, Wieslaw Tumulka, included my work in 8 issues of his magazines. For a woman from the USA, it was quite exciting to know her words and images were reaching a few readers across the Atlantic.

SF Spectrum 10 I felt privileged to share the pages with artist Steve Lines and writers J. N. Williamson, T. Winter-Damon, Steve Sneyd, John B. Rosenman, Don Webb, Andrew Darlington, John Haines, George Gott, and Mark Valentine,  and many more talented individuals.

In 1986 and 1987 when my work appeared in SF Spectrum and Macabre, the standard format for small or Indie presses was pieces of letter (or legal) sized paper printed on both sides, then, the stack of pages was folded in half and stapled.

SF Spectrum 12 Not very glamorous compared to many of today’s Indie publications, but this was before the advent of computers.

Tumulka, and other Indie publishers/editors were devoted to publishing and sharing the work of writers and artists whose work they believed their readers would enjoy. And in those days, there weren’t online versions and wide distribution — so a contributor “sold” First British Rights, First North American Rights, First Australian Rights, etc. rather than First World Rights or First English Language Rights.

Macabre 7 So which pieces of my writing and artwork did Wieslaw Tumulka choose to include in issues of his speculative magazines? Here is the complete (I think) list:

Poems: “More than Curiosity,” “Saturn’s Song,” “Snapdragons,” “A Circle of Pillars,” “Aware, After All These Years,” “Surgical Leftovers,” “Right Now,” and “Flies.”

Illustrations: “Skeleton in the Toy Box” and “Blooming Skulls” (a cover illustration shown here).

Prose: “Frycakes and Caruso.”

And so I conclude this visit to my past writing/art appearances with a thank you to Wieslaw Tumulka for selecting and publishing my work. It helped give me confidence to keep on creating. And a thanks to the writers and artists whose work I enjoyed in those long ago issues of SF Spectrum and Macabre.

Keep on reading! – Vonnie

Macabre 8

SF Spectrum 11

Macabre 6

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Ethereal Tales Special Issue All writers start somewhere. I thought it would be fun to take a look back at some of the magazines which published my writing. A few still exist (in one form or the other), some have fallen into the cracks of speculative publication history, others can still be located with some effort.

Illumen Spring 2015 But no matter the fame or lack thereof of the editors, I am grateful to them for publishing my writing. Their acceptance and subsequent publication of my poems or prose helped me to remember my words had worth, and sent me forward on my writing journey.

Illumen Spring 2010 Ethereal Tales Special Issue (includes my story, “Black Bear”) was published by Morpheus Tales as a farewell to a fine magazine which I had the honor of having had a story in (“The Garden Shop”). Illumen, now published by Alban Lake Publishing, was (along with Scifaikuest) originally published by the now-closed, Sam’s Dot Publishing (I had poems published here).

Scifaikuest Feb 2010 Elektrik Milk Bath Press published both a speculative poetry magazine, Paper Crow, (which included my poetry) and a series of speculative anthologies (which included my fiction). All of the publications were wonderful reads, and I’m hoping their editor, Angela Craig, is able to get healthy and start publishing again.

Paper Crow Fall Winter 2010 Editors of Indie press (it used to be call small press – and I much prefer the new label) publications are a special breed. With little chance of profit, and a great chance of putting lots of their own money into an Indie press to help to stay afloat, they persevere. It is through their efforts that many a writer (and illustrator, I might add) have their first stories, poems, essays, and artwork presented to readers.

Paper Crow Spring Summer 2013 A good example (in my case) were the publications edited by Jessica Amanda Salmonson (published by Richard H. Fawcett). Fantasy and Terror and Fantasy Macabre were early appearances on the other side of the USA of my speculative poetry.

Paper Crow Spring Summer 2011 But when I glance around those long ago Table of Contents, I see I’m not the only writer to have had their early work published by Jessica and Richard. Thank goodness for folks like them who encouraged this (and other) new speculative writers to keep on writing.

Fantasy & Terror 10 The last publisher I’ll mention in this post is the Science Fiction Poetry Association. Let’s face it, poetry isn’t at the top of most people’s reading list. Maybe it’s the bad poetry often force-fed to students when they’re young, but many readers grow up not only not caring about poetry – but actually disliking it.

Fantasy & Terror 9 I, or the other hand, have loved poetry since childhood. It is truly where I began my writing hobby which morphed into a writing career.

In my neck of the woods, nearly forty years ago when I went looking for other writers in the rural part of Maryland where I live, the Harford Poetry Society was it. They graciously helped me grow as a writer and tolerated my strange interest in speculative poetry – and eventually, sf/f/h fiction.

Starline Jan Feb 1987 So you can imagine my delight when I discovered Starline, the newsletter of the SFPA. I felt like shouting “Hooray!” upon discovering that science fiction and fantasy poetry was written and enjoyed by others.

Thanks again to the hard-working and under-paid editors of Indie presses. Though sunlight may have faded a few of the covers, I still treasure the magazines (and books) you produced simply for the love of speculative writing.

And to readers of speculative writing – do both yourself and new genre writers a favor – support Indie presses.

 

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As a writer of speculative fiction, I have to be aware of the spelling and pronunciation of the places and people which are part of the imaginary worlds I build.

A long jumble of letters with a weird pronunciation might seem to be a good way to announce that my story is set in a fantastical world. Bizarre accents and hyphenated names might appear to be an easy way to signal to my readers that the characters aren’t human. But I don’t want to work that hard to figure out (and remember) crazy pronunciations, and neither do my readers.

So what’s a writer of science fiction and fantasy to do? I recommend selecting names that are easy to remember and pronounce – but ones which “fit” your world.

crist-dagger For example, in my epic fantasy novel, The Enchanted Dagger, I used baby name books to select Nordic, Celtic, Old English, Scandinavian, etc. names for some of my characters. Other characters’ names are mixed-up combinations of the names of family members and friends. Each time I began moving the letters around to create a character’s or race’s name, I used the sound of the letter combinations to determine if the result felt like it belonged in Lifthrasir.

Lifthra-what? Lifthrasir (LEEF-thra-seer) is the name of the imaginary world of The Enchanted Dagger and the forthcoming Beyond the Sheercliffs. It is from Norse mythology, and according to Teresa Norman’s book, A World of Baby Names, it means: “She who holds fast to life, desiring life…[Lifthrasir] is considered to be the mother of humanity after all perished at Ragnarok.” Well, what better name for the world I’m creating in which the good folk must fight for their lives, their children’s lives, and control of their world?

An example of my letter-scramble technique, would be Grindee, a particular kind of goblin. A dear friend’s nickname is Dee. She has a marvelous sense of humor, and I thought she’d grin during parts of the book. So why not name a goblin for her and her sense of humor?

Another example: a minor character in The Enchanted Dagger is named Mobree Dug. Mo is the nickname of another friend, and the first 4 letters of her last name are “bree.” Dug is the phonetic spelling of a brother-in-law’s name.

As for the title character, Beck – I have a sister and sister-in-law both named Becky. Plus, the name of the instructor who taught my Writing the Novel graduate course was Mr. Becker. In addition, Beck (again according to Norman’s book) is a Scandinavian name which is the “Transferred use of the surname meaning ‘dweller near the brook.'” In The Enchanted DaggerBeck comes from a seaside town, and water plays an important part in his interaction with magic.

The names of other family members and friends became a warrior race – the Janepar, a race close to nature – the D’Anlo, the wisewomen – the Alywyn Sisterhood, the Wenbo River, the towns of Raystev and Larmik, the country – Dobran, even the gravediggers Nate and Stu, and I could go on and on. (Though I won’t, since by now, you’re quite bored).

But you’ll notice, Grindee, Beck, Lifthrasir and the rest aren’t too difficult to read or pronounce. Believe me when I say your readers will appreciate the effort when you make names easy to pronounce and remember even if you world is far, far away or long, long ago or even beyond our galaxy.

To take a look at The Enchanted Skean, visit https://www.amazon.com/Enchanted-Dagger-Chronicles-Lifthrasir/dp/1941559182/ref=tmm_pap_title_0?_encoding=UTF8&qid=1489363491&sr=8-1

For a totally different take on Pronunciation, here’s the link to writer friend Andrew McDonough’s take on the subject: https://andrewmcdowellauthor.com/2017/03/12/pronunciation

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When Gail Z. Martin invited me to post a blog as a part of the #HoldOnToTheLight campaign, I decided to make it personal.

I was one of those kids who was different enough to attract the attention of bullies. A girl interested in science, math, art, fantasy, science fiction, writing, etc. attracted unwanted and negative attention from some of my school mates. Junior high (middle school to you younger folks) was the worse – I was regularly spit on by several “popular” girls on the school bus.

Where are those girls now? I don’t know, and to be honest, I don’t care. The things which made me an outcast then, are the things which I value the most about myself now. But that self-assurance is hard-won.

I’ve dealt with depression and lingering self-doubt for much of my life, because of that long-ago bullying. Which gives me great compassion for those who are different or who feel like outsiders. And though I won’t name names, because it is not my story to tell – I can assure them that many of the writers and artists I’m friendly with have experienced either bullying, depression, anxiety, suicidal thoughts, or a combination of those things.

So what’s my message? First, don’t let bullies ruin your life. They don’t deserve that much power. You are unique and valuable. The problem lies with the bullies – not you. Second, when you see bullying going on, stop it if you can, or get help from an adult to put an end to the bullying. Third, don’t be a bully. Always choose kindness.

One of the best things about the science fiction and fantasy community is their willingness to accept those marvelously unique artists, writers, and fans who might be viewed as “outsiders” in the mundane world. And one of the best things about being a writer of speculative fiction, is I get to create and celebrate characters who are different – whether they have physical, mental, or emotional challenges – imperfect characters are the most interesting to read about. Why? Because they’re the characters most like us.

About the campaign:

holdontothelight-fb-banner #HoldOnToTheLight is a blog campaign encompassing blog posts by fantasy and science fiction authors around the world in an effort to raise awareness around treatment for depression, suicide prevention, domestic violence intervention, PTSD initiatives, bullying prevention and other mental health-related issues. We believe fandom should be supportive, welcoming and inclusive, in the long tradition of fandom taking care of its own. We encourage readers and fans to seek the help they or their loved ones need without shame or embarrassment.

Please consider donating to or volunteering for organizations dedicated to treatment and prevention such as: American Foundation for Suicide Prevention, Home for the Warriors (PTSD), National Alliance on Mental Illness (NAMI), Canadian Mental Health Association, MIND (UK), SANE (UK), BeyondBlue (Australia), To Write Love On Her Arms and the National Suicide Prevention Hotline.

To find out more about #HoldOnToTheLight, find a list of participating authors, or reach a media contact, go to https://www.facebook.com/groups/276745236033627

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Almost every writer dreams of finding an agent to represent their writing. So many publishers’ websites say “agented work only” or some variance of that statement.

The un-agented path to publication is often small or Indie publishers. There’s nothing wrong with that path – in fact for many writers, it’s the best path to seeing their books in print. Indies are more hands-on, and you can develop a personal relationship with them. The larger publishers often don’t have the time to develop a personal relationship with their writers – so many authors prefer the Indie route.

But what if you want to go the agent-larger publisher route? Where in the world can you find agents looking for science fiction and fantasy (or whatever your genre is)?

A great (though somewhat dated) source is the article, “Agents looking for Science Fiction and Fantasy Writers,” from Publishing and Other Forms of Insanity. The same useful BlogSpot site also has the articles: “Literary Agents Seeking New Writers” and “3 New Agents Seeking Clients – Fantasy, Sci-Fi, Nonfiction, Thrillers, YA, and More” and “7 Established Agents Looking for Writers – Literary Fiction, Memoir, MG, YA, Fantasy, Romance, and More” and lots more articles on agents looking for writers.

So if you’re in the market for an agent, keep on knocking on their metaphoric doors (more likely email inboxes), and best of luck in your search.

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I’ve been a fan of Anne McCaffrey’s Dragon Riders of Pern series of books since they were first published. I think I fell in love with the idea of a dragon who was both apart from a character and a part of the character. I even had compassion for the poor watch-beast who tried to protect Lessa in the first Pern book.

Perhaps it’s because I was born in the Year of the Dragon (I’ll leave you to figure out which Year of the Dragon that is), but those magical reptiles have always held a special place in my heart. I’ve included a dragon in a few short stories, most notably in “Weathermaker,” included in my book The Greener Forest (soon to be updated with an additional story and poem included and released from Pole to Pole Publishing).

Plus, a dragon plays an important role in my novel, The Enchanted Skean – though Fafnir is a wee dragon in this first book of The Chronicles of Lifthrasir. For fans of the The Enchanted Skean, look for a novelette length tie-in book from Pole to Pole Publishing by year’s end.

Now, back to Pern! I loved the fantasy vibe of the series, even though it was officially science fiction. These books tread that delightful ground between genres where I often like the stories I read (and write) to exist.

So hoorah! Though Anne McCaffrey is no longer with us, her marvelous dragon-filled world can still bring joy to fans new and old. As for me- I can’t wait to see what movie technology and good live-action can do for The Dragon Riders of Pern. Here’s the link to the article.

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